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Experiencia y metodología de campo en la comunidad de raperos(as) en Morelia, Michoacán

- Egilea(k)
- Villanueva, Alain Ángeles
- Izenburua
- Experiencia y metodología de campo en la comunidad de raperos(as) en Morelia, Michoacán / Alain Ángeles Villanueva.
- Non
- Diálogos de Campo, 4, 8, Enero-junio 2022, 63–82
- Gaiak
- Freestyle Rap ; Mexiko
- Edukia
-
Testu osoa
- Informazio formatua
- Artikulua
- ISBN / ISSN
- 2683-2763
- Oharrak
- Bibliografia: 60-62 or.
Videografia: 62 or.
[ES] La comunidad de raperos(as) está conformada de personas que al realizar rap comparten vivencias, objetos, espacios, ideas, valores, herramientas, técnicas y expresiones orales, simbólicas, corporales y musicales. En las presentes páginas el autor expone su experiencia y metodología de campo en dicho grupo, se basa en la “etnografía del discurso” de James P. Spradley; y en concreto, trata consideraciones respecto a elegir un evento social para el registro, prever condicionamientos al arribar, preparar las entrevistas, analizar la información recabada, recolectar archivos personales y, por último, salir del sitio.
Palabras clave: rap, Morelia, Michoa-cán, etnografía, música
[EN] The rappers community is made up of people who share experiences, objects, spaces, ideas, values, tools, techniques and oral, symbolic, corporal and musical expressions when performing rap. In these pages the author presents his experience and field methodology in this group. He’s based on the ethnography of discourse by James P. Spradley and, specifically, he addresses considerations re-garding choosing a social event for its registration: anticipating conditions of arrival, preparing interviews, analyzing the collected information, collecting personal files and, finally, leaving the site.
Keywords: rap, Morelia, Michoacán, ethnography, music
Palabras clave: rap, Morelia, Michoa-cán, etnografía, música
[EN] The rappers community is made up of people who share experiences, objects, spaces, ideas, values, tools, techniques and oral, symbolic, corporal and musical expressions when performing rap. In these pages the author presents his experience and field methodology in this group. He’s based on the ethnography of discourse by James P. Spradley and, specifically, he addresses considerations re-garding choosing a social event for its registration: anticipating conditions of arrival, preparing interviews, analyzing the collected information, collecting personal files and, finally, leaving the site.
Keywords: rap, Morelia, Michoacán, ethnography, music
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