Liburutegia - Fitxa ikusi Atal honi buruz gehiago jakiteko
Authenticating voices: performance, black identity, and slam poetry
Dokumentua:
Ingelesa.
Online
- Egilea(k)
- Somers-Willett, Susan B. A.
- Izenburua
-
Authenticating voices: performance, black identity, and slam poetry / by Susan B. Anthony Somers-Willett
- Argitalpena
- Austin: University of Texas, 2003
- Gaiak
- Poetry slam
- Edukia
-
Testu osoa
- Deskribapen fisikoa
- 1 fitxategi (PDF, 3 MB) (199 or. : kol. ir.)
- Informazio formatua
- Dokumentua
- Oharrak
- Texaseko Unibertsitateko disertazioa
Azalean: Dissertation Presented to the Faculty of the Graduate School of the University of Texas at Austin in Partial Fulfillment of the requirements for the Degree of Doctor of Philosophy
Bibliografia: 186-198 or.
LIST OF FIGURES AND SUPPLEMENTAL MATERIALS...............................x
INTRODUCTION:
IN SEARCH OF THE GREAT AUDIENCE.....................................................1
CHAPTER 1:
POETRY AND THE PEOPLE: RACE, NATION, AND THE PERFORMANCE OF POPULAR VERSE....................................................................................21
Performance, Poetry, and Blackface Minstrelsy......................................31
The Poet-Performer Movement and Vachel Lindsays Higher Vaudeville.............................................42
Bringing The Cultural Dowry: Beat Poetrys Performance of Black Popular Culture.....................................................................................58
Working Juju with the Word: Performance and the Black Arts Movement.............................................................................................70
Slam Poetry and the Democratization of Verse...................................83
CHAPTER 2:
AUTHENTICATING VOICES: SLAM POETRY, POLITICS, AND PERFORMANCES OF BLACK IDENTITY....................................................94
CHAPTER 3:
REPRESENTING SLAM POETRY: THE RACIAL POLITICS OF GOING MAINSTREAM............................................................................................123
Authenticity and Ghettocentricity in Slam............................................136
Dropping Truth: Def Poetrys Marketing of Spoken Word to the Mainstream..........................................................................................150
The Politics of Selling Out: Some Pros and Cons.................................167
EPILOGUE
DESIGNS FOR LIVING: NOTES ABOUT THE FUTURE OF SLAM POETRY......................................................................................................173
APPENDIX OF FIGURES............................................................................179
BIBLIOGRAPHY..........................................................................................186
VITA............................................................................................................199
INTRODUCTION:
IN SEARCH OF THE GREAT AUDIENCE.....................................................1
CHAPTER 1:
POETRY AND THE PEOPLE: RACE, NATION, AND THE PERFORMANCE OF POPULAR VERSE....................................................................................21
Performance, Poetry, and Blackface Minstrelsy......................................31
The Poet-Performer Movement and Vachel Lindsays Higher Vaudeville.............................................42
Bringing The Cultural Dowry: Beat Poetrys Performance of Black Popular Culture.....................................................................................58
Working Juju with the Word: Performance and the Black Arts Movement.............................................................................................70
Slam Poetry and the Democratization of Verse...................................83
CHAPTER 2:
AUTHENTICATING VOICES: SLAM POETRY, POLITICS, AND PERFORMANCES OF BLACK IDENTITY....................................................94
CHAPTER 3:
REPRESENTING SLAM POETRY: THE RACIAL POLITICS OF GOING MAINSTREAM............................................................................................123
Authenticity and Ghettocentricity in Slam............................................136
Dropping Truth: Def Poetrys Marketing of Spoken Word to the Mainstream..........................................................................................150
The Politics of Selling Out: Some Pros and Cons.................................167
EPILOGUE
DESIGNS FOR LIVING: NOTES ABOUT THE FUTURE OF SLAM POETRY......................................................................................................173
APPENDIX OF FIGURES............................................................................179
BIBLIOGRAPHY..........................................................................................186
VITA............................................................................................................199
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