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Cantiga ao desafio e estetização da fala: natureza, modalidades, funções

- Egilea(k)
- Nogueira, Carlos
- Izenburua
- Cantiga ao desafio e estetização da fala: natureza, modalidades, funções / Carlos Nogueira
- Non
- Organon, 21, 42, 2007, 1-13
- Gaiak
- Cantares ao Desafio ; Portugal
- Edukia
-
Testu osoa
- Informazio formatua
- Artikulua
- ISBN / ISSN
- E-ISSN 2238-8915
- Oharrak
- Bibliografia: 12-13 or.
Propõe-se neste artigo uma teoria da cantiga ao desafio portuguesa quer no plano individual, enquanto acto criativo pessoal, quer no plano comunitário, equacionando o fenómeno como processo sociocultural. A interdisciplinaridade multivectorial do enfoque evidencia a complexidade de uma especificidade poético-musical que não se esgota em componentes técnico-literárias e musicais. Exercício lúdico-inventivo com muito de antropológico e sociológico, poesia em acção, o desafio concretiza-se como macropoema dialógico constituído por dois poemas orais individuais que se cruzam numa alternância de forças, tensões e distensões variáveis. A dimensão textual é a materialidade mais visível de uma orgânica que obedece a leis de improvisação em que participam elementos linguístico-literários (arte poética, gramática, retórica, estilística, temas e remas), mas também factores extratextuais com os quais os contendores interagem de forma muito estreita (a audiência e o aparato tecnológico que envolve algumas actuações, com vista à sua mediatização).
In this article we offer a theory for the Portuguese “cantigas ao desafio” (“contest songs”, poetic dueling). We shall approach them on the individual level, insofar as they are a personal creative act, and on a community level, envisaging them as a sociocultural phenomenon. Its necessary and interdisciplinary and multifaced approach arises from a poetico-musical specificity that doesn't become exhausted in musical and techno-literary components alone. It is a playful and creative game with a lot of anthropological and sociological ingredients, it is poetry in action. The contest becomes a dialogical macro-poem made out of two individual oral poems, intermingled in an alternance of forces, of variable tensions and distensions. The textual dimension is the more visible materiality of an organic process obeying to laws of improvisation in which linguistical-literary elements take part (ars poetica, grammar, rethoric, stylistics, themes, etc.). But it also obeys to extratextual factors with which the contesters interact very closely (the audience and the technological apparatus involved in some performances for mediatic purposes).
In this article we offer a theory for the Portuguese “cantigas ao desafio” (“contest songs”, poetic dueling). We shall approach them on the individual level, insofar as they are a personal creative act, and on a community level, envisaging them as a sociocultural phenomenon. Its necessary and interdisciplinary and multifaced approach arises from a poetico-musical specificity that doesn't become exhausted in musical and techno-literary components alone. It is a playful and creative game with a lot of anthropological and sociological ingredients, it is poetry in action. The contest becomes a dialogical macro-poem made out of two individual oral poems, intermingled in an alternance of forces, of variable tensions and distensions. The textual dimension is the more visible materiality of an organic process obeying to laws of improvisation in which linguistical-literary elements take part (ars poetica, grammar, rethoric, stylistics, themes, etc.). But it also obeys to extratextual factors with which the contesters interact very closely (the audience and the technological apparatus involved in some performances for mediatic purposes).
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