BDB Bertsolaritzaren datu-basea

This study is a metaperformance autoethnography of the Isleno decima singers of Saint Bernard Parish, Louisiana. The performance and event of the decima are explored using research techniques including the performance of ethnography. First a basis is provided for the study by presenting a brief historical overview of the Spanish influence in Saint Bernard Parish, Louisiana. The work of Richard Bauman in Verbal Art as Performance is included in order to key the decima as a performance event. Second, the script, “A Tribute to Storytellers: Isleno Decima Singers of Louisiana,” performed at Louisiana State University in The HopKins Black Box Theatre, is included to demonstrate the research process of the decima. Third, the study analyzes and interprets the performance of the script in order to explore audience critique and the learning process of performing research as a way of knowing. This study concludes with a performative writing piece addressing my relationship to the study as a member of the Isleno community and scholarly researcher as well as future possibilities of research and performative studies of the Isleno traditions

ACKNOWLEDGEMENTS ...ii
ABSTRACT ...iv
CHAPTER
1 INTRODUCTION ...1
2 HISTORICAL OVERVIEW ...13
3 “A TRIBUTE TO STORYTELLERS: ISLENO DECIMA SINGERS OF LOUISIANA” ...31
4 ANALYSIS AND INTERPRETATION OF SCRIPT ...78
5 CONCLUSION ...92
REFERENCES ...96
APPENDIX: TRANSCRIPTION SYMBOLS ...98
VITA ...100