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The second edition of the Oxford Handbook of Music Psychology updates the original landmark text which provided a comprehensive review of the latest developments in this fast growing area of research. The second edition has 55 chapters (three more than the original edition) divided into 11 parts covering both experimental and theoretical perspectives each edited by an internationally recognized authority in the area. The first ten parts present chapters that focus on specific areas of music psychology: the origins and functions of music; music perception, responses to music; music and the brain; musical development; learning musical skills; musical performance; composition and improvisation; the role of music in everyday life; and music therapy. In each part authors critically review the literature, highlight current issues and explore possibilities for the future. The final part examines how, in recent years, the study of music psychology has broadened to include a range of other disciplines. It considers the way that research has developed in relation to technological advances, providing an overview of the areas where the field needs further development.

List of Contributors …xi
PART 1 THE ORIGINS AND FUNCTIONS OF MUSIC edited by Ian Cross …3
1 The nature of music and its evolution ….3
Ian Cross
2 Universale in music processing …19
Catherine Stevens and Tim Byron
3 Music and meaning …33
Ian Cross and Elizabeth Tolbert
4 The social and personal functions of music in cross-cultural perspective …47
Martin Clayton
PART 2 MUSIC PERCEPTION edited by Ian Cross
5 The perception of pitch …63
Thomas Stainsby and Ian Cross
6 Absolute pitch …81
PSYCHE LOUI
7 Tonal Cognition …95
Emmanuel Bigand and Bénédicte Poulin-Charronnat
8 The perception of musical timbre …113
Stephen McAdams and Bruno L. Giordano
9 Musical time …125
Mari Riess Jones
10 Tonality and contour in melodic processing …143
Mark A. Schmuckler
11 Memory for music …167
Bob Snyder
PART 3 RESPONSES TO MUSIC edited by Donald A. Hodges
12 Bodily responses to music …183
Donald A. Hodges
13 Emotional Reactions to Music …197
Patrik N. Juslin
14 The relationship between musical structure and perceived expression …215
Alf Gabrielsson
15 Aesthetics …233
David Huron
16 The Neuroaesthetics of music …247
Donald A. Hodges
17 Musical preferences …263
Alinka Greasley and Alexandra Lamont
PART 4 MUSIC AND THE BRAIN edited by Jessica J. Zatorre
18 The neurobiological basis of musical expectations from perception to emotion …285
Laurel J. Trainor and Robert J. Zatorre
19 Disorders of Musical Cognition …307
Psyche Loui
20 Music and brain plasticity …325
Simone Dalla Bella
21 The relationship between music and language …343
Sebastian Jentschke
22 The neuroscience of rhythm …357
Daniel J. Cameron and Jessica A. Grahn
PART 5 MUSICAL DEVELOPMENT edited by Alexandra Lamont
23 Prenatal development and the phylogeny and ontogeny of music behaviour …371
Richard Parncutt
24 Infant musicality …387
Sandra E. Trehub
25 Musical development from the early years onwards …399
Alexandra Lamont
26 Music training and non-musical abilities …415
E. Glenn Schellenberg
PART 6 LEARNING MUSICAL SKILLS edited by Susan Hallam
27 Musical potential …433
Gary E. McPherson and Susan Hallam
28 Practising …449
Harald Jørgensen and Susan Hallam
29 Individuality in the learning of musical skills …463
Helena Gaunt and Susan Hallam
30 Motivation to learn …479
Susan Hallam
31 The role of the family in supporting learning …493
Andrea Creech
32 The role of the institution and teachers in supporting learning …509
Graham Welch and Adam Ockelford
PART 7 MUSICAL PERFORMANCE edited by Richard Parncutt
33 Planning and performance …529
Eckart Altenmüller and Shinichi Furuya
34 Sight-reading …547
Andreas C. Lehmann and Reinhard Kopiez
35 Performing from memory …559
Roger Chaffin et al.
36 Bodily mediated coordination, collaboration, and communication in music performance …573
Jane W. Davidson and Mary C. Broughton
37 Emotion in music performance …597
Patrik N. Juslin and Erik Lindström
38 Expression and communicaton of structure in music performance: Measuraments and models …615
Erica Bisesi and W. Luke Windsor
39 Optimizing physical and psychological health in performing musicians …633
Dianna T. Kenny and Bronwen J. Ackermann
PART 8 COMPOSITION AND IMPROVISATION edited by Peter R. Webster
40 Making a mark The psychology of composition …651
Jonathan Impett
41 Musical improvisation …667
Richard Ashley
42 Pathways to the study of music composition by preschool to precollege students …681
Peter R. Webster
PART 9 THE ROLE OF MUSIC IN EVERYDAY LIVES edited by Raymond MacDonald
43 Choosing to hear music: Motivation, process, and effect …711
Alexandra lamont, Alinka Greasley, and John Sloboda
44 Music in performance arts: Film, theatre and dance …725
Annabel J. Cohen
45 Peak experiences in music …745
Alf Gabrielsson, john Whaley, and John Sloboda
46 Musical identities …759
David J. Hargreaves, Raymond MacDonald, and Dorothy Miell
47 The effects of music in community and educational settings …775
Susan Hallam and Raymond MacDonald
48 Music and consumer behaviour …789
Adrian C. North, David J. Hargreaves and Amanda E. Krause
PART 10 MUSIC THERAPY edited by Michael Thaut
49 Processes of music therapy: Clinical and scientific rationales and models …805
Shannon de lʼEtoile
50 Clinical practice in music therapy …819
Corene Hurt-Thaut
51 Research and evaluation in music therapy …837
Barbara L. Wheeler
52 Music therapy in medical and neurological rehabilitation settings …857
Anne Kathrin Leins, Ralph Spintge, and Michael Thaut
PART 11 CONCEPTUAL FRAMEWORKS, RESEARCH METHODS AND FUTURE DIRECTIONS edited by Susan Hallam, Ian Cross, and Michael Thaut
53 Beyond music psychology …877
Adam Ockelford
54 History and research …893
Michael H. Thaut
52 Where now? …905
Susan Hallam
Index …915