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Towards a taxonomy for Basque oral poetry Bertsolaritza
			Document:
										English.
															Online
					                    Library collection
				- Author(s)
 - Paya, Xabi
 - Title
 - 
														Towards a taxonomy for Basque oral poetry Bertsolaritza																		/ by Xabier Fidel Paya Ruiz
 - Publication
 - Birmingham: Department of Modern Languages College of Arts and Law University of Birmingham, 2012-10
 - Subjects
 - Bertsolaritza
 - Content
 - 
																	Testu osoa
 
- Physical description
 - 88 or.
 - Type of material
 - Document
 - Eduki mota
 - Bachelor's Degree
 - Notes
 - Birmingham-eko Unibertsitateko gradu amaierako lana
Azalean: A thesis submitted to the University of Birmingham for the degree of MPhil (B) Modern European Studies
Bibliografia: 68-70 or.
Eranskinak: 71-87 or. 
The aim of this dissertation is to make a contribution to the analysis of Basque oral  poetry by proposing a taxonomy for the study of contemporary performances. It uses the main  approaches and views that have shaped the interdisciplinary field of oral traditions since the beginning of  the 20th century. The theoretical framework in which the taxonomy is housed is based on a collection  of academic works, some of them created for the analysis of oral poetry in general, some of them  specialised in the study of Bertsolaritza. The dissertation defines the communication unit of the  taxonomy, it describes its main facets or dimensions, and it also offers a detailed explanation of all the  taxa of the classification. A last section remarks on the values and functions of a highly structured  taxonomy within the present context of the study of Bertsolaritza, probably one of the oldest and most  relevant oral traditions in Western Europe
								    Introduction ...5
1. The art of Bertsolaritza: oral sung improvisation in the Basque Country ...9
1.1. The study of Bertsolaritza ...12
2. The taxonomy: structure, framework and classification ...17
2.1. The structure of the taxonomy ...18
2.1.1. A polyhedral approach: the faceted analysis ...18
2.2. The theoretical framework of the taxonomy ...19
2.2.1. Theoretical framework ...20
2.2.2. The communication unit ...24
2.2.3. The main axes of the taxonomy ...25
2.2.4. Description of the taxa ...29
2.2.4.1. Identification ...29
2.2.4.2. Content ...31
2.2.4.2.1. Theme ...31
2.2.4.2.2. Melody ...35
2.2.4.2.3. Non-verbal communication ...38
2.2.4.2.4. Figures of speech ...42
2.2.4.3. Context ...52
2.2.4.3.1. Background ...52
2.2.4.3.2. Participants ...53
2.2.4.3.3. Proxemics ...56
2.2.4.4. Structure ...56
2.2.4.4.1. Prosody ...56
2.2.4.4.2. Rhyme. ...58
2.2.4.5. Function ...60
2.2.4.5.1. Performative task ...60
2.2.4.5.2. Theatrical genre ...61
2.2.4.5.3. Function ...62
3. Conclusions ...6
3. 1. Values and limitations of the taxonomy ...64
3. 2. Final considerations ...65
4. Bibliography ...68
5. Appendices ...71
												  1. The art of Bertsolaritza: oral sung improvisation in the Basque Country ...9
1.1. The study of Bertsolaritza ...12
2. The taxonomy: structure, framework and classification ...17
2.1. The structure of the taxonomy ...18
2.1.1. A polyhedral approach: the faceted analysis ...18
2.2. The theoretical framework of the taxonomy ...19
2.2.1. Theoretical framework ...20
2.2.2. The communication unit ...24
2.2.3. The main axes of the taxonomy ...25
2.2.4. Description of the taxa ...29
2.2.4.1. Identification ...29
2.2.4.2. Content ...31
2.2.4.2.1. Theme ...31
2.2.4.2.2. Melody ...35
2.2.4.2.3. Non-verbal communication ...38
2.2.4.2.4. Figures of speech ...42
2.2.4.3. Context ...52
2.2.4.3.1. Background ...52
2.2.4.3.2. Participants ...53
2.2.4.3.3. Proxemics ...56
2.2.4.4. Structure ...56
2.2.4.4.1. Prosody ...56
2.2.4.4.2. Rhyme. ...58
2.2.4.5. Function ...60
2.2.4.5.1. Performative task ...60
2.2.4.5.2. Theatrical genre ...61
2.2.4.5.3. Function ...62
3. Conclusions ...6
3. 1. Values and limitations of the taxonomy ...64
3. 2. Final considerations ...65
4. Bibliography ...68
5. Appendices ...71

						