Periodical Performances - View details To know more about this section
Ahozko Inprobisazioa Munduan (1. 2003. Donostia)
Irformation
- Performance type
- Kulturarteko topaketa
- Place
- Donostia
- Beginning date
- 2003-11-03
- Final date
- 2003-11-08
- Extension
- Nazioarte mailakoa
- Website
- www.argodat.com
Participants
- Organizers
Euskal Herriko Bertsozale Elkartea - Organization group
Egaña, Andoni Eizagirre, Estitxu Enbeita, Zihara Epelde, Imanol Garzia, Joxerra Goñi, Nerea Martin, Jon Mendiburu, Joana Sarasua, Jon Tapia, Koldo - Participants
African Simba Agirre, Joxe Aizpurua, Karlos Amaglobeli, Rati Ametller, Miquel Arzallus, Amets Baouch, Brahim Bastos, Adilia Batur, Rahmi Curbelo, José Díaz-Pimienta, Alexis Dzodzuashvili, Gogi Egaña, Andoni Elortza, Igor Ferre, Carme Foley, John Miles Freitas, Fernando Gabunia, Salome Garzia, Joxerra Hach, Beibuh Ibarguengoitia, Roderico Igerabide, Juan Kruz Irigarai, Joxe Anjel Iturriaga, Unai Jatabi, Latif Larrazabal, Jesus Mari Los Leones De La Sierra De Xichu Lujanbio, Maialen MacDowell, John H. Mangado, Carlos Mariskal, Arantza Munar, Felip Olasagasti, Eneko Pani, Antonio Pilleri, Pierpaolo Pisu, Andrea Pitirra, Aldo Pons, Pilar Rodríguez, Yeray Rodrigues, Armando "Marinho" Rodríguez, Fernando "Murga" Rodriguez, Fito Saba, Manuele Salem Baadi, Mohamed Sarasua, Jon Sastre, Alfonso Shoji, Kurando Suint, Marta Trapero, Maximiano Turkeri, Zekine Velázquez, Guillermo White, Linda Zedda, Paulu - Presenters
Altzuart, Mikel Bidegain, Eneko Diez De Ultzurrun, Kike Goikoetxea, Josu Gomez, Manu Perez De Karkamo, Aitziber Sasieta, Naroa
Description
- Weberako aurkezpena
- The cultural association Bertsozale Elkartea, with the collaboration of the Audiovisual Communication and Marketing Department of the University of the Basque Country (UPV/EHU), the Basque Government, the County Councils of Gipuzkoa and of Biscay and the BBK, has organized Intercultural Meetings about Oral Improvisation in the World that will take place in Donostia-San Sebastian in November 2003. The Meetings are centred on singing oral improvisation and they will have two dimensions. On the one hand, a varied sample of singing improvisation as it is developed in several continents and languages will be offered. On the other hand, there will be an attempt to move further in the analysis of oral improvisation in general and of the singing one in particular, seeking to develop a theoretical framework which will facilitate the understanding of this phenomenon, the possibilities of its survival within our societies and the contribution that oral improvisation could make to these.
The key points to be developed are the following:
1.- Overall view of orality in present societies. Genres and modalities.
2.- Anthropology of orality. Oral performance.
3.- Internal mechanisms of singing oral improvisation. Limits and strategies.
4.- Presentation of oral improvisation experiences in the world.
5.- The future of improvisation. Project proposals.
Structure
- Performances